THE “SCREAM” OF MACON STREET (1907)
******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** Female “personators” seemed to bring out the passion in folks back in the day. Maybe there was less sexuality involved in the whole dressing-as-a-woman thing. Or maybe it was simply a matter of sexuality not mattering at all. Or, as some say, it was everything. But when “The Great Eugene” took the stage – and he took the stage always as a woman – men, in particular, seemed to find themselves singularly rapt in attention and admiration at the spell that the talented female personator was casting over them. BUILDING THE PERFECT IMPERSONATOR The Great Eugene, otherwise known simply as Eugene, was named Eugene D’ameli as a child. He was born on Manhattan in 1836, and, according to The New York Dramatic Mirror (the Broadway rag of the time), he made his first debut at the tender age of 17, playing what he would end up playing the rest of his career – a “prima donna” – a persona which “he improved and perfected until it was considered the best of its class.” His partner, “Johnny” Unsworth, of 700 Macon Street, recalled Eugene’s beginnings in the minstrel theatre. “Because he was so small and slight and built somewhat like a woman Gene started female impersonations, always in black face, as a […]
