WHEN SARATOGA AVENUE WAS YOUNG (1899)
******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** We’d never seen this 1899 picture before – the cobblestones of Saratoga Avenue – taken from Macon Street looking north. To the left you see the gates of the 3-year old Saratoga Square Park and to the right, what was known then as Saratoga Field. A few years before this shot was taken, you would have seen the circus and the various Wild West shows of the time camping out on these two blocks, attracting crowds of people from miles around to the neighborhood. In the distance, you can see the elevated Brooklyn Rapid Transit track, known around this time as the Broadway Elevated, which had opened in 1893 and was a 2-track line at the time. That’s right – no express! And staring back at you are some of the folks who lived and played in the area. It appears from the shot that they were positioned by the photographer. They’re all standing still and upright. Across the street from the park (on the right side of the photograph) would soon be built the Arcadia Dancehall, a “modern dancehall for working girls,” where the modern dances of the day – such as the Bunny Hug and the Tango – were forbidden. Vice President Calvin Coolidge and Teddy Roosevelt’s son, Theodore, […]
A SPOTLESS TOWN IN SPOTTY CROW HILL (1903)
******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. ******************************************************************************************************************************** It was a novelty back then. An entire block of newly built houses was connected with underground cast iron heating pipes. “They’re all heated from a central heating plant,” the ad for the new houses stated. “To be free from worrying about the heating of one’s house is a blessing that you’ll appreciate.” “SPOTLESS TOWN” Frederick W. Rowe built them, and may have been inspired to use the name by a recent Broadway musical of the same title (which incidentally featured “a pair of midgets in a baby elephant costume and a dog trained to grab culprits by the seat of the pants” – it closed after one week). Who could fail, though, to see the sense of using a known name – one which, additionally, augured cleanliness?. Buyers were more and more attracted by the new homes being built in this “Eastern Parkway” section of town. Previously known as Crow Hill, comprised of a collection of shanties and pig sties, it entered a transitional stage and would later become the upper middle class Crown Heights around 1915. And these buyers were less and less interested in living in homes that already existed in the older areas – that were…well….less spotless. So the choice of name seemed appropriate for marketing purposes. BUT…CENTRAL HEATING??? By 1903, while central heating of […]
ROMEO & JULIET “COME TO” BROOKLYN (1866)
******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** The City of Brooklyn’s street grid system was still in its infancy in 1860, some 25 years after it had originally been laid out in Brooklyn maps in 1835. As builders began to buy up land, and as city elders watched the progress of speculative construction move continuously eastwards, it became apparent that some adjustments to the street grid were going to be necessary. SHAKESPEARE TO THE RESCUE Throughout the early 1860s, various New York State legislators from Kings County – likely in consultation with builders, land owners, and lawyers – began to plan these adjustments. These adjustments would come into being in two ways: 1) as extensions of certain streets through land that had originally been planned for building purposes, as well as 2) the closures of certain other portions of streets that had made other parcels of land unusable for building purposes. Thus, a legislative amendment to the Commissioners’ Map of the City of Brooklyn was in the works, and Brooklyn senators, having consulted professionals on the proposed changes, got to work on the wording to make the needed adjustments. In the end, six adjustments would be proposed – one of which was the creation of the very Shakespearean street moniker, Verona Place. “WHAT’S IN A NAME?” Considering the […]
“HE HAS MADE HER…CIVILLY DEAD” (1848)
******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** In July of 1848, Elizabeth Cady Stanton, an early organizer for women’s suffrage movements in the United States, changed the course of property rights for married women forever when she uttered a stunning declaration about their legal mortality. They were, she noted dryly, “civilly dead.” While Stanton was not attacking the institution of marriage itself, she was confronting American society with a challenge to the institution’s precepts on women’s capacities to control their very destinies. Most importantly, she believed the forfeiture of married women’s autonomy to be a mistake. As things then stood, women, as soon as they tied the proverbial knot, were in positions of almost total dependency on their husbands. The legal status of married women at the time, referred to as coverture, was famously placed into stark terms by the English jurist William Blackstone in his 18th century legal classic, Commentaries on English Law: “By marriage, the husband and wife are one person in the law: that is, the very being or legal existence of the woman is suspended during the marriage, or at least is incorporated and consolidated into that of the husband: under whose wing, protection, and cover, she performs every thing.” As a result of the suspended existence of married women, they could not own […]
HOW ART DECO CAME TO PARK SLOPE (1931)
******************************************************************************************************************************* Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************* Up until the 1930s, everything in Park Slope was Victorian brownstone. But then came Michael’s and the revelation of a stunning Art Deco facelift. ART DECO IN THE HOUSE For those of you familiar with 5th Avenue in Brooklyn, you may be acquainted with the 5-story building with storefronts known as Nos. 503-505. Currently housing Urban Market of Park Slope, the entire floor was at one time taken over with bedroom sets, kitchen tables, and dinettes – a furniture store known as Michael’s & Co. Originally, the building – sitting between 12th and 13th streets – had quite a different look – a product of the Queen Anne/Romanesque architectural period in the late 1800s, its top floor was lined with faux gables and a mansard roof. By the 1930s, a vertical sign and a marquee had been added to the facade, both with the Michael’s name. Today, of course, Michael’s is no more and all of the Victorian architectural features toward the top of the building (as well as the Michael’s signs) have been removed – probably as much out of an extreme aversion to the cost of maintaining such a facade as due to some of extreme economic periods the building’s passed through. Nonetheless, its current facade is rather unremarkable, […]
RISE & FALL OF THE STUYVESANT CLOWN (1895)
******************************************************************************************************************************* Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************* Back in the early 1890s, in Stuyvesant Heights, there were clowns everywhere. Roaming and squeezing their little horns, making sad, droopy faces, and generally miming mischief. And everyone came to see them at Halsey Street and Saratoga where they paid a nickel a person to get in. Life for the clowns existed there for at least 20 years, until one day it all came to a halt. The developers had arrived and were threatening the home of the clown, threatening his very existence. BROOKLYN EXPANDS TO BUSHWICK By the mid-1890s, three blocks in the furthest reaches of the Eastern District’s Stuyvesant Heights had surprisingly remained untouched by speculative progress. While feverish land purchasing and selling had gone on all around this valuable real estate for the previous ten or so years, these dusty plots of land would continue to sit like the vestiges of the past that they were – unused farm land. Eventually, though, this land would be put to use by a bunch of clowns – the lots would begin, in 1891, to be referred to as the “circus grounds,” as traveling circuses and shows would begin annually to rent the land for their high profile extravaganzas. But the reign of the Stuyvesant Clown would be relatively short as, […]
